The visual and spatial thought is created by a laborious process, which in itself is grounded in the craft of ‘making’. Crafting, or ‘making’ is seen as a fragile process that leads to a visual representation. The amalgamation of visual, material, spatial, verbal languages together, with the involvement of certain manual process, produces a preliminary structure to understand the process of thinking itself.
The process is shown as a construction where various differing languages come together to form a ‘body’ of thought.